Against the alienation and fragmentation of contemporary life, Future Ritual creates and holds spaces for curious publics to gather, to think and to feel through place, desire, belief, loss and mystery.
We are based in Peckham (London) and work from STUDIO: Future Ritual.
get in touch
producing@futureritual.co.uk or join our mailing list
News
Intensive Workshop with Ron Athey & Michele Occelli
Deep dive into the practices of hypnosis, trance movement, mortification of the flesh and pageantry that have informed Ron Athey’s legendary works.
11 - 15 November, Peckham
> more info
Intensive Workshop with gustaf broms
Explore London’s hidden stories, restless energies and feral undersides through performance art action.
22 - 26 November, Peckham
> more info
join our STUDIO as a Resident
Join our community of practice at STUDIO: Future Ritual, a new space for gathering, performance and embodied practice in Peckham.
> full call out
> about STUDIO
Watch Our Work
Some of the performances, projects and events we have worked on are available to watch online
> watch
Soojin Chang
Soojin Chang works in a process of trance, dissociation, feedback, and self-recognition to create performances that dissolve personhood and objecthood through animist methodologies. Their works take the form of video, live performance, ritual practice, and field research. Using her body as technology to transmute in/visibility, Chang’s practice negotiates contemporary ethics, colonial inheritance, and queer, interspecies reliance.Current and recent interventions include: Dog Eggs at Asia Culture Center, Gwangju (2022); BXBY (2022) commissioned for the Jerwood/FVU Awards 2022; a heifer would be needed for the sacrifice at Tramway for Take Me Somewhere (2021); State of Possession at ICA London and CCA Glasgow (2019); Death Ritual at Sa Sa Art Projects, Phnom Penh (2019); and Hair Eggs at MoMA PS1 (2018).
https://soojinchang.com
Bio supplied in May 2022 for ICA (London).
Soojin Chang, Heavenly Shower of Banknotes, Future Ritual, ICA (London), 2022. Photos by zack mennell.