// CEREMONY Festival

Audio Described Performances

We are pleased to offer discounted audio-described tickets for visitors with visual impairments attending select performances at CEREMONY.

Upon arrival, our team will welcome you and guide you to a quieter space, where you can enjoy complimentary refreshments, including hot drinks and sweet treats.

This will be hosted by Vicky Ackroyd, the describer, whose voice you will hear through your headset during the performance, along with members of our team.

Before the show begins, you’ll have the chance to handle items related to the production and, if time allows, meet some of the performers. Following the stage tour, our team will guide you to your seats. 

The describer will provide a brief introduction before delivering live audio descriptions of the performance via your headset.

Tickets can be booked online. Please  select Audio Description tickets only for those using the headsets. You can request free companion tickets at checkout.


Wednesday 25 November

Two works by Paul Regan and Pianka Pärna, seeking wilder modes of expression beyond normative cultural inheritance.

> Doors 7pm, ends 9.30pm
> Copeland Gallery, SE15 3SN
> Tickets


Paul Regan, ALMANAC, 2025. Photo by zack mennell.
All Over [2] // Paul Regan

What substance to emerge from. Older stronger branch of divinity. Checking floor level grounding for affirmation of: skin type, blood pressures and relative humility. Half-be / half-made... serenity signals over and above the time of year. The setting in motion of going through devotion, the engine gets heavier but easier to lift this time.

Recurring themes Paul Regan’s work pertain to faith, religion, ritual, cultural identity and misappropriation. In recent years, he has developed a live performance practice to expand on ideas of compulsive action through site-specific interventions and activism. 


Pianka Pärna, Curtain Call, 2026. Photo by Devika Bilimoria.

CURTAIN CALL // Pianka Pärna

Set in a landscape where the traditions and discipline of ballet meet Eastern European folklore, Curtain Call inhabits a surreal landscape of grotesque ballet artists, exhausted by perfection and hungry for something wilder.

Visceral and sensorial, Curtain Call explores oppression, liberation, occupation and independence as well as BDSM, queerness, authority and consent.  As bodies are cinched into PVC latex suits alongside headpieces referencing the baby-hungry Baba Yaga, pointe shoes and fetish-inflected ballet objects collide to create a world where classical beauty is deconstructed. 

Referencing both Slavic mythology and contemporary body culture and modification, the visual language of Curtain Call asks what perfection conceals and what it reveals.





Thursday 26 November

Two performances by Mal Parry and Eoin McCaul foreground the physical and sonic impact of touch, and the contact between bodies and histories.

> Doors 7pm, ends 9.30pm
> Copeland Gallery, SE15 3SN
> Tickets


Mal Parry, needlings. Image courtesy of the artist.
Every Law a Tattoo // Mal Parry

In this new performance work, Mal Parry responds to the climate of hostility and legislative violence towards queer and trans people via a collision of contemporary materials with traditional craft practices. Hand-embroidering into mass-produced silicone prosthetics, they meet the fragmentation, objectification and exploitation of the body through practices of DIY resistance and repair.

The work is inspired by the uncanny fact that since medieval times, UK laws have been inscribed on vellum (calf skin). 



Eoin McCaul, Creative Rift, ICA (London), 2026. Photo by George Brown.

TAIBHSE [Ghost] // Eoin McCaul

TAIBHSE [Ghost] is an ongoing movement and sound work which studies ghosts, particularly those ghosts of touch which haunt the body through life — whether familial, erotic, or otherwise. It emerges out of a fascination with the various forms of touch we encounter in life, as well as a fascination with the relationship between touch and sound.

The score is created live and is composed entirely of sounds of contact made during performance, looped and mixed live by Dilan Kumar.